Scroll horizontally to view more | Paper | Number of Questions | Maximum Marks |
|---|
| Paper-II | 150 | 75 |
Note :-
- Duration of Paper: 3 Hours
- All Questions carry equal marks.
- Medium of Competitive Exam: Bilingual in English & Hindi
- There will be Negative Marking.
- Objective type paper .
Syllabus : Sculpture -II
1. Unit 1: Western Aesthetics
- Plato
- Aristotle
- Immanuel Kant
- Georg Wilhelm Friedrich Hegel
- Sigmund Freud
- Jean-Paul Sartre
- Martin Heidegger
- Walter Benjamin
- Arthur Danto
2. Unit 2: Methods, Materials, Elements and Principles of Sculpture
- Fundamentals and elements of sculpture
- Origin and development of imagery in sculpture
- Classification of sculpture
- Sculptural form vis-a-vis conceptual reality
- Study of form, material, methods, and techniques relevant to sculptural practice
- Clarity of understanding of terminologies related to the art of sculpture.
- Study of varied media in sculptural practice:
- Clay and wax:
- Preparation of natural clay for sculpture
- Modelling and casting with clay
- Terracotta & firing of clay
- Types of kilns
- Possibilities in the range of colours and pigments in ceramic works
- Two-dimensional and three-dimensional modes in clay sculptures
- Modelling and carving in wax
- Plaster of Paris (POP):
- History, chemical composition and physical nature of POP
- Advantages and disadvantages of working with POP
- Accelerating and retarding agents
- Surface treatment of POP
- Casting and carving in POP
- Wood:
- Nature and varieties of wood
- Carving tools and methods of carving for sculpting in wood
- Seasoning and preservation of wood
- Finishing and staining of wood
- Stone:
- Origin of sculpting in stone
- Tools and equipment, methods and approaches relevant to stone carving
- Treatment and preservation of stone against weathering
- Metal:
- History of metal sculptures
- Processes involved in the use of metal as medium for sculpture
- Physical properties and classification of metals as ferrous and non-ferrous, alloy, etc
- Bronze as the primary sculptural metal
- The Lost-wax method (cire-perdue)
- Indigenous methods including “gravity casting", "sand casting", etc
- Melting points of metals
- Surface treatment viz. anodising, oxidation and patination
- Welding and forging processes for working with metals
- Preservation of metal sculptures
- Monumental sculptures
- Assemblage and Installation
- History & background of mix-media
- New Hybrid forms of 1960's and more recent developments
- Public sculptures
- Environmental art
3. Unit 3: Sculptural developments from Prehistoric period to Realism (1900s)
- Prehistoric sculptures
- Egyptian sculpture
- Mesopotamian sculpture
- Etruscan sculpture
- Greek sculpture
- Roman sculpture
- Romanesque sculpture
- Gothic Sculpture
- Renaissance Sculpture
- Baroque Sculpture
- Rococo Sculpture
- Neoclassical Sculpture
4. Unit 4: Sculptural developments from Impressionism to Minimalism (1900s–1970s)
- Honore Daumier
- Auguste Rodin
- Camille Claudel
- Medardo Rosso
- Paul Gauguin
- Aristide Maillol
- Antoine Bourdelle
- Henri Matisse
- Edgar Degas
- Ernst Barlach
- Constantin Brancusi
- Kathe Kollwitz
- Pablo Picasso
- Aleksandr Archipenko
- Marcel Duchamp
- Jacques Lipchitz
- Umberto Boccioni
- Vladimir Tatlin
- Naum Gabo
- Jean Arp
- Max Ernst
- Antoine Pevsner
- Alexander Calder
- Henry Moore
- Barbara Hepworth
- David Smith
- Louise Bourgeois
- Isamu Noguchi
- Alberto Giacometti
- Cesar
- Marino Marini
- George Segal
- Claes Oldenburg
- Anthony Caro
- Tony Smith
- Donald Judd
- Carl Andre
- Joseph Kosuth
- Eva Hesse
- Barry Flanagan
- Georg Baselitz
- Joseph Beuys
5. Unit 5: Contemporary Sculptural developments- American, European and Far Eastern
- Andy Warhol
- Christo and Jeanne-Claude
- Damien Hirst
- Jeff Koons
- Kiki Smith
- Jimmie Durham
- Antony Gormley
- Anselm Kiefer
- Ron Mueck
- Marc Quinn
- Richard Serra
- Nam June Paik
- Marina Abramović
- Robert Gober
- Thomas Houseago
- Adrián Villar Rojas
- Magdalena Abakanowicz
- Huma Bhabha
- Ai Weiwei
- Urs Fischer
- Other artists engaged in revolutionising sculptural practice.